My literary agent, Rick Broadhead, specializes in non-fiction and works with the top publishing houses in North America. Rick has represented non-fiction books that have appeared on bestseller lists. His clients’ books have also been shortlisted for literary awards, translated into multiple languages and optioned for film and TV development.
By Rick Broadhead
Copyright © Rick Broadhead. All rights reserved. Used with permission.
To understand why literary agents scrutinize projects so carefully, you need to understand the sales process.
I’m going to be most responsive to projects that I believe are saleable to the major publishers I work with. Even if I’m interested in the idea you’re pitching, I have to believe that the editors I work with are also going be receptive to the idea.
Because of the considerable amount of time required to shape an idea, pitch it to editors, and negotiate a contract, it’s simply impossible for an agent to represent everything, even projects that are likely to result in an offer from a publisher. Literary agencies are businesses, and they are not only motivated by their personal interest in certain topics, they are motivated by projects that are going to generate the most interest (and the strongest offers) from publishers.
No two literary agents are the same. Since agents have different personal interests (one may be interested in history while another may not) and different relationships with editors and publishers, it may take awhile for you to find an agent who can be an effective champion for your book.
There are several steps in the process of getting a book published.
First, the agent has to pitch the idea to an editor at a publishing house. Second, the editor has to sell your project internally to his/her colleagues (including the marketing and sales staff) and build enough in-house support to justify an offer from the publisher to the agent. Third, the publisher has to sell your book to the book buyers at the chains and bookstores.
This doesn’t happen until about six months before publication, when the publisher releases its catalog for the upcoming publishing season and publisher’s sales reps call on bookstores (and other accounts), hoping to generate big orders from book buyers.
Fourth, the publisher (and the author) need to generate enough publicity to make the public aware of the book and in turn drive sales.
When an agent is reviewing a book proposal, he/she has to think about all of these hurdles and whether or not the proposed book can successfully clear them.
TO BE CONTINUED.